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Ecomedia
How the Natural World is Transforming the Nature of Media. This weblog is not the usual blog of daily events. It contains a series of notes/thoughts designed to make connections between science and media art. Sometimes these ideas are tied in with current events, but most of the time this blog is not in any particular order. It serves as a central area for a detailed examination of ideas first published in a 1999 Leonardo Journal article entitled 'Active Vision' that I hope to develop into a book that will discuss some of the current developments in science, ecology, media and society and how they inform and are informed by new technologies. The book will be written for artists working with digital media and anyone who is interested in future directions of the medium. http://www.andreapolli.com
last modified Sep 7, 2006 at 13:00
Bioacoustics pioneer Bernie Krause spoke at The Ear to the Earth Festival a few weeks ago and presented a classification of the soundscape:
Geophony: The part of a soundscape formed by geographical features. Water (waterfalls, rain, mist), mountains (foehn winds, santa ana), desert (singing sand), tall buildings, all make up the Geophony of an area. Could be compared with Schafer's 'keynote'.
Biophony: The part of a soundscape formed by non-human animals. Crickets, birds (geese, loons, songbirds), coyotes, etc.
Anthrophony: Soundscape elements created by humans. This category is so large I might suggest the addition of a sub-category: Technophony, soundscape elements created by human technology, with a wide range of sounds from the subway in Taipei to JFK airport.
Dr. Krause also spoke about the 'density' of natural soundscapes and how sound density is an important indicator of the health of a natural environment, particularly in the case of the biophony. He said that animal species populate the sound spectrum of an environment in much the same way they populate its geography. When in an environment, animals thrive when they can position themselves in different bands of the sonic spectrum than other animals. When a particular frequency band is open, this provides an opportunity for an animal to come into an environment without sonic competition. Animals have difficulty surviving in areas where their particular frequency band is already occupied. Dr. Krause and other bioacousticians record the soundscape of a natural environment and analyze the sound density. This analysis can give a very good indication of the age and health of the natural community.
My collaborator on N,. Joe Gilmore, spoke at Ear to the Earth about the difficulties of finding pure randomness. Most of the time when computers generate randomness they are not creating true randomness (this is sometimes called 'pseudo-random'). The computer will use the seconds on the system clock for example. Sometimes casinos use atmospheric air pressure readings to determine random numbers, another reason I suppose there is such aggressive climate control on casino floors. The rate at which radiation decays is what is commonly considered a true random number. Joe used a geiger counter as a number generator for one of his sound works exploring true randomness.
New Zealand based sound artist Phil Dadson presented his work i n the Dry Valleys of Antarctica for Ear to the Earth and spoke about the valleys as the dryest place on Earth populated by microscopic 'extremophiles', a kind of algae that if lost could take over 50 years to re-generate. The strange geography of one part of the area has earned it the nickname 'Gaudi Valley.'
Interesting images of coffins from the Ga tribe designed to represent an aspect of a person's life: http://www.ghanaweb.com/GhanaHomePage/NewsArchive/photo.day.php?ID=52081
Swiss artist Roman Keller has been working on a project called 'A Moral Equivalent of War' after a phrase used in a speech by former US president Jimmy Carter about a movement towards alternative energies. Keller and his associates are driving a panel from the famous solar panels Carter installed on the White House (located in Maine), across the US to Georgia. Along the way they are interviewing various people who were involved in the project, hoping to end with an interview with Carter himself. http://www.moralequivalent.info/
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